Artistically, I task myself with finding a new genre of visual expression that is representative of the contemporary Asian geopolitical psyche without the influence of Western stereotypes.The two main strands of my work include taking the imagery of traditional Asian tropes and questioning it on the canvas in a humorous or insouciant way through physical manipulation of paint. The second strand involves extensive research comparing contemporary popular images relating to classical Asian culture and classical Chinese paintings. I believe classical Chinese culture and art are formed with a particular state of consciousness that brings us a unique aesthetic experience that in its essence is also a philosophical state of being.I attempt to use the re-presentations of the classical sensibility to create images that generate a moment of absorption in which we can reflect on our shared state of being. This image is dualistic and reciprocal in nature, the lineage and the state of the image are constant and eternal, but as the receiver of the image, the audience is constantly changing and reflective. Within these dualistic relationships, we reflect upon our state of being.