Atom Hovhanesyan – Rego park, NY
NY based artist since 2009, working primarily in oil and ink. Studied at the Art Students League, National Academy of NY and Grand Central Academy. Traditional choice of materials and medium, grind my own colors. In the abstract works: my goal is to create a unified atmosphere and sense of luminosity. Bits and pieces of forms from memory are utilized as building blocks for constructing the composition. There is no narrative or a specific reading, more of an epilogue that’s open to interpretation, I’m trying to create a space complex enough and compelling enough to act as a point of departure, while retaining the often accidental mystery and painterly energy.
Short autobiography written by Atom Hovhanesyan
As a faithful and respectful learner, then successor of legendary master’s vision, style and performance, loved very much traditional choice of medium and ground his own colors. And after colossal dedication to art, some times, 72 hours non stop painting or drawing, unintentionally created unique style and technique in post divisionism and ink drawings, never observed before.
Below, are Atom’s own understanding and description of his art works in these particular two styles:
“Through Division to Expression”
Influenced by post impressionism with cubist approach to composition. The goal here is to utilize the whole surface of the support challenging the viewer’s perception of negative space. Essentially divisionist, the figure/composition is woven in to the fabric of the plane and space warps in to the figure. In the painting process repetitive almost automatic application of the crosshatched lines allows the subconscious the opportunity to direct the composition, there is a tension between the desire to hide vs. the need to reveal, conflict between subconscious and self-conscious.
Drawings in ink: Worked with ink with the same approach, because of the fine lines unique to this medium and the texture that arises from multiple built up layers of cross hatched lines allowed me to focus on light and texture and the feel of the drawings ended up being quite different from the paintings.
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